4.03.2007

Poetry from Guantanamo
















This fall, the University of Iowa Press will publish Poems from Guantánamo: The Detainees Speak.

A sample:
Just as the heart beats in the darkness of the body,
so I, despite this cage, continue to beat with life.
Those who have no courage or honor consider themselves free,
but they are slaves.
I am flying on the wings of thought, and so,
even in this cage, I know a greater freedom.
Abdul Rahim Muslim Dost scratched that one on a styrofoam cup with his fingernail.
(Via DailyKOS diary)

4.02.2007

Finding a writing community

One of the things we worried about a little in leaving Iowa and moving here was that we would really miss being with writers, and that if there even were people writing in English in Holland they would be far-flung and hard to find. (I was all set to start stalking Harry Mulisch, who I had heard frequented a local pub here in Haarlem, but it turns out he moved to Amsterdam long ago.)

Then traca de broon found Words in Here, and I wrote to Robert Glick who met me at a cafe in Amsterdam and started recommending some European writers, such as Michel Houellebecq, whom I had never heard of but whose novel The Possibility of an Island I am now halfway through and really digging. I delivered a standard list of American writers he should be reading, and several of the names were unfamiliar to him. So already a substantial exchange has begun. His group publishes a literary magazine called Versal and runs workshops. T and I went to their monthly get-together at this lovely bookshop last Thursday and then down the street to a cozy bar for more talking and pizza and beer and pool playing.

The participants were poets and fiction writers and a few others simply interested in writing. The ones who showed up that night come from Australia, California, Curacao, Montana, France, South Africa, Holland, and Germany. Some are beginners, some are published -- but the main point is they all live here and have found each other.

P.S. The photo for this post has nothing to do with writing. It's the new statue of the "unknown sex worker" that was unveiled in the red light district during an "open day" this weekend. We were there, but the little square by the Old Church was too crowded to actually get a look -- yes, the statue stands proudly in the courtyard around the church. This photo is the first look I've had of it.

3.27.2007

What a difference an ocean makes























Which do you think is the cover for the U.S. edition of Time this week (Apr. 2, 2007), and which is the cover of the edition on sale down the street here?

You are allowed one guess.

3.26.2007

Got a hankerin' for Austin?

cek, whom Google is messing with in terms of logging in and returning as a contributor, asks that the following be put up:
If anyone's interested in moving to Austin for a year for a creative writing
teaching gig at Texas State University in San Marcos (twenty minutes outside
of Austin), email me directly (cristina at cristinahenriquez dot com) and I'll give you more info.

3.25.2007

war on terror the board game



http://www.waronterrortheboardgame.com



I have yet to play this, though I hear there is a spinner that is spun before the game begins to determine which countries are The Axis of Evil.

Definitely check out the Secret Messages if you have a minute!
Cheers, Fid

3.20.2007

YouTube Awards


















You can vote for best people-powered videos for a couple more days (till March 23). If you've ever wondered, "What's good on YouTube?" -- this is your one-stop link to see the best of 2006 in various categories. It should go without saying that it's way better than the Academy Awards was. Some really amazing stuff. (And with no TV yet, it's filling a void.)

This one, just as one example, in which this guy takes a picture of himself every day, in the same way, for more than six and a half years, and then flows them all into one long stream. Something very affecting about it. His eyes. His hair looks like it's underwater. The video quality gets better and better (he probably went through a few cameras). You can tell when he hasn't shaved for a few days, when he's moved to a different apartment, when he's on vacation. I felt a real sadness. By the end of not even six minutes I felt like I knew him. Nice work, Noah, whoever you are.

3.16.2007

The dike thing

From Time magazine, June 19, 1950.

He looked up and saw a small hole in the dike through which a tiny stream was flowing. Any child in Holland will shudder at the thought of a leak in the dike! . . . That little hole, if the water were allowed to trickle through, would soon be a large one, and a terrible inundation would be the result. Quick as a flash he saw his duty . . . His chubby little finger was thrust in almost before he knew it. The flowing was stopped! "Ah!" he thought, with a chuckle of boyish delight, "the angry waters must stay back now! Haarlem shall not be drowned while I am here!"

Haarlem was not drowned. The little boy stayed at the dike all night, too cold even to whistle and attract the attention of passersby, until he was found in the morning and the hole was plugged. Thus, in Hans Brinker or, The Silver Skates (1865), Mary Mapes Dodge told the legend of the sluicer's son who became "The Hero of Haarlem." The practical Dutch pointed out that the story was not true and technically quite implausible. But Americans visiting The Netherlands invariably asked to see the place where the little boy had put his finger in the dike.

Haarlem shuffle


The first picture is a side street around here, and the second is Gedempte Raamgracht, our street.

Click here for a live view of the Grote Markt, the big square here in Haarlem. It updates every five seconds, but you have to refresh the page yourself. The big church on the right, St. Bavo's, is awfully impressive. Mozart once played the organ there. At least once a day I walk or bike through that square. You may get lucky and see me! That would make you, as I mentioned, very lucky.

Today is my birthday. I'm 39 -- again.

3.11.2007

I'm okay, Eurokay

That's something I tore from yesterday's paper.

I'll try to steer clear of the hassle stuff and focus on the surprisingly fun -- actually too fun -- week I've had, though at the beginning there was a last-minute drama involving vets and certificates and the USDA office, but at the end of the journey the dogs were fine, even though I tipped over Luka's crate at Schiphol airport. Hilariously, customs didn't question any of the paperwork that we had unexpectedly spent the day chasing all over Massachusetts.

From the airport Tuesday morning, Tony, my ride, drove us to the house, where I met the sellers, a tall couple who make hanging cradles for babies, and the two real estate agents again, and I "inspected" the house and signed stuff in Dutch, and then their little girl ceremoniously handed me the key (they had clearly practiced it). That first day, which was the second day because I hadn't slept on the plane, was hell on the dogs and me, and we kind of clung to each other during the afternoon, and went to Poop Hill many times, which is what we call the grassy canal bank at the end of the street that is a "Losloopplaats," a "loose run place," but which functions as a toilet. Angry ducks flap at the dogs from the water. I sure as hell am not ready to let the dogs "loop vrij en spelen" -- "run free and play" -- as the sign urges me to. Buses, bikes, scooters, cars, little old ladies, other dogs are all over the place. Not to mention the canal itself, which looks like a swimming pool to The Real Grendel.

I took them home and, although exhausted, to avoid going to bed yet (it was seven) I went and got something to eat and then went to the nearest bar to the house, a typical little cafe on a cobblestone corner, with lit candles on each of the four empty outdoor tables, even though a light rain was falling. Inside I could see seven or eight men, obviously regulars, and one woman, sitting at the bar. I walked in and went up to the bar and ordered a beer.

When they heard my accent, they immediately switched to English. "The bar is new -- Erik made it! He put it in just today!" Erik sat to my right. Erik, after hearing my name, started reciting a poem by La Fontaine, something about "Corbeaux"? "So you are the crow," he said when he was done with his French, "and you have a piece of cheese, and the fox below says, oh crow, you sing so beautifully! Sing me a song! And when you open your mouth to sing, you drop the cheese, and the fox eats it."

"Pretty much."

After two hours he said, "Go get your dogs."

"Yes," I agreed, standing up. I could feel a drop of beer glittering on my bottom lip, which was twisted in sudden determination. "Yes, they need to become citizens, too."

I went home and got the excited dogs. Brought them back to the bar. Let them off leash. They walked around sniffing the Dutch people. Erik praised them. "We made it!" I kept saying to them, and rubbing their heads. Before long, they were looking sleepy, though, and when I wasn't sure I could stand up much longer, I took them home and blew up the inflatable mattress. See, all our furniture is in storage -- not that we brought our bed. But the blow-up mattress worked, and first things first, such as the closing the following morning, which went off without a hitch.

But then began a series of banking, Internet, telephone, mobile phone, customs, city registration, insurance, credit card, and washing machine challenges. Those were three dark days. And rainy.

By Friday night I had kicked jet lag. I finished my business for the day and at dusk went to three of the the four bars, one by one, that were open on a nearby square called the Botermarkt (the Butter Market, where butter was once marketed). I had a small glass of beer at each one. Then I decided to check out the coffeeshop on the corner -- Cafe Easy Going -- for the first time. The sign outside had a picture of a tired turtle. I asked for the "mildest, lightest" thing they had and puffed on it tentatively at one of the two booths, a black leather seat curved around an aluminum table.

It was a small place -- more or less a living room with a non-alcoholic bar where you buy weed. Riddick was playing on a flat TV on the wall, and underneath it four Dutch youths were playing foosball. The "buzztender" was a straight-backed blonde young man. I sat at that aluminum table and watched that movie, which was subtitled in Dutch, and I vowed to really begin learning Dutch all over again. But the volume was too low, so I saw the Dutch but couldn't quite connect the English dialog I couldn't hear. And the foosball table was loud, and the guys were laughing and groaning and saying, "Alsjeblief! Alsjeblief!" (Please! Please!)

I kept reaching for a beer. Which they don't sell. One drug at a time, people!

Random folks came in. Kids, late teens, early twenties, and a couple of older fellas. And it was just freaking wonderful. The movie had these praying mantis aliens, and Riddick's eyes were weird, and I was finally relaxing. But I kept reaching for my beer -- which was not there. How could it not be there? But it wasn't. I tried to ignore my increasing thirst. I could have bothered the buzztender, who was watching Riddick, too, for a water or tea, but darn it, it was Friday night and I had just moved to another continent, so when the flow of people in and out was properly calibrated, I stood and said, "I keep reaching for my beer" and put on my coat.

"You should have one!" the barman said.

"You're right! I believe I will."

It was nine-thirty or so when I went to the one bar I hadn't yet gone to. I sat at a table out on the clear plexiglass-windowed, awninged patio and watched the Botermarkt. Think of a nighttime brick square, with bikes rolling down the middle of it, groups of young people gathered around a parked scooter eating fries with mayonnaise and laughing, people toting home bags and takeout orders, scooters zooming by exactly when it gets too quiet, a closed-up fishmarket cart from earlier in the day. That was the Botermarkt.

So then last night I was at Mulligan's, an Irish bar in Amsterdam, meeting people I hadn't seen in a long time -- Tony and two other guys from Donegal, Liam and Kevin. Tony is married to Dorinde, and Liam is dating her twin sister. They were watching the Ireland-Scotland rugby match. Extended sentences in English were very nice to hear again. I believe I talked their ears off. I believe I talked about philosophy and religion and science and politics. And they did, too! And the pints kept coming.

When I finally said I needed to go back to the train station, to get back to Haarlem and the dogs, they said they had to go to the station, too, and surely we could just drop by a coffeeshop on the way. We went outside, and they got on their bikes.

"You're riding with me," said Liam.

And then, dang it, I was on the back of a bike being piloted by a drunk Irishman through the streets of Amsterdam. At night. "Who are you?" Liam kept screaming back at me, pedaling faster. "Get the fuck off my bike!" I had no idea where we were headed. I couldn't see around him. There was nowhere to put my feet, so I just held them up. For a minute I was shrieking with laughter, then I was I grasping the bones of his hips with my eyes closed. When he stopped, I staggered off, stiff, sore, stimulated, lucky to be alive. I looked around -- we were right in front of a coffeeshop and right across the street from the train station.

"I can't believe you just drove me to the station on your bike!"

"I can't either!"

We went inside. They indulged, but I did not. Loud techno sounded. Finally, we went across to the station and said goodbye. I found my train and waited on the platform. Late at night the trains are less frequent. I was lucky and got one quickly. I sat down in my seat and leaned my head against the window and closed my eyes. Louis Armstrong's "What a Wonderful World" popped up on my mental iPod. I forgot that I had my real iPod in my coat pocket.

Next thing I knew, I jerked awake. The train was in some station. It looked like Haarlem's. I jumped onto the platform as the doors were closing. It was Haarlem's.

Today, the dogs let me sleep in till eight. We went to Poop Hill. And then I took a train to Zandfoort, the nearest beach town, and had a strong, tiny coffee and reread "The Diamond as Big as the Ritz" on an outdoor patio. All I'm missing is traca (pronounced "trassa") de broon, who is off to San Francisco and still more than a week away from arriving here. Thank God for Skype.

You are all welcome to come and stay. Not at the same time.

New Blogger issues

Because I finally decided that I would rather switch than fight, I finally switched this to the new Blogger Beta. As you can see, some of the Contributors are gone. That's because Google, which owns Blogger, is now forcing people to sign in with their Google account. Contributors will come back, supposedly, as they sign in with Google accounts.

If you can't sign in to post or comment, or are just confused, try going here and signing in with your Google account (a Gmail account is actually a Google account, so that works). If you don't have one, the page should prompt you to create one.

If you just don't want to get a Google account for whatever reason, you can still log in, for now, using your old Blogger account by going here. I think this will also prompt you to convert to a Google account on your way. You should do it -- maybe. Give it the old once over.

I'm sorry for the hassle. I put this off as long as possible so that the first wave of bugs would be worked out before switching this blog. Progress -- it eventually swallows us all.

3.10.2007

AWP+NYC+2008=AWESOME?

Anyone interested in putting together an AWP panel once more? The proposals are due by May 1 -- and yes, the conference is in NYC, which is excellent. Jan 30-Feb 2. Should be a good time.

3.09.2007

See ya, guys!


Have fun doing the Double Dutch.

Keep Holland real.

For the life of me, I can't figure out how to post an MP3 -- so here's a version I can post -- although it involves visuals.

Just close your eyes, I suppose.

http://www.youtube.com/watch?v=vbpURBJA4uA

3.08.2007

Icebergs named a Hemingway Foundation/PEN Award finalist



The lovely Rebecca Johns and her debut novel, Icebergs, have been named a finalist for the 2007 Hemingway Foundation/PEN Award. She joins fellow Goat Daniel Alarcon as a PEN/Hemingway finalist.

The PEN New England site hasn't officially posted the news, but former Dallas Morning News book critic Jerome Weeks announced it on his blog, BookDaddy. So I'm breaking the news here.

Unconfessed by Yvette Christianse was the other finalist, and Brief Encounters with Che Guevara by Ben Fountain took home the prize.

3.04.2007

Last post from America

Tomorrow, due to an ill-timed mandatory California business trip on the part of traca de broon's employer, the two dogs and I are embarking on our move to Haarlem, The Netherlands -- alone, to be followed by Ms. de broon two weeks later.

Our bare house is there, ready to move in, though it will be "several weeks" before our furniture, etc. is released from Customs. The money for the mortgage has been transferred, I think (have not heard back from the bank). The dogs have had certain shots and have certain certificates filled out. I am mostly packed, I think. Nearly a year of stress and uncertainty is finally lurching toward a spectacular, frothing crescendo. What could possibly go wrong?

Stay tuned.

2.22.2007

Lecture on Sunday

Passing along a note from T-Bone, who, having switched her account to Google, is unable to post here anymore. This is Google's way of "nudging" us toward the New Beta of Blogger. Anyway, she says, and I quote:

If any of you are lucky enough to be in the I.C. on Sunday, you can check out my boss (aka KPC), at his Presidential Lecture. - T-Bone

2.14.2007

Enter the Barrelhouse Power Ballad Contest

Details are here. You have till April 1. If you win, they're gonna record it and post it on the site, dude!

Daniel Alarcon reading tonight

Our illustrious compadre will be reading from his new novel Lost City Radio, 7pm, Prairie Lights. It would be cool if an IC resident could post a summary of how it went for those of us who can't go...

2.12.2007

How many Bush administration officials does it take to change a lightbulb?

Ten.

1. One to initially deny that the light bulb needs to be changed.

2. One to attack the patriotism of anyone who says the light bulb needs to be changed.

3. One to blame Clinton for burning out the old light bulb.

4. One to explain how the administration has actually had a strong light bulb-changing policy all along.

5. One to tell the nations of the world that they are either for changing the light bulb or they are for darkness.

6. One to give a billion-dollar no-bid contract to Halliburton for the new light bulb.

7. One to arrange a photograph of Bush, dressed as a janitor, standing on a stepladder under the banner "Light Bulb Change Accomplished."

8. One to resign and write a book about how Bush was literally "in the dark."

9. One to smear #7 on FoxNews.

10. One to change the wrong light bulb.

Author unknown - found on the Internets

2.06.2007

Youthful scribblings

I discovered the following piece while sorting through my files in preparation for our impending move. It is not dated, but the handwriting style suggests my late teens, placing this somewhere in the mid 80s -- probably 1986, when The Fly came out. I was struck, on rereading it, by certain themes that have stayed with me and was helpless to resist indulging in a bit of Freudian self-analysis. The pre-Saunders Saundersesque style, which I figure must have been the Vonnegut at work in my lizard brain, is also notable and recalls a whole absurdist period in my writing which I had nearly forgotten about. It is a cliche-ridden waste product of a flabby mind blasted to ruin from tens of thousands of hours of television and, probably, a multi-drug hangover. But I decided to type it out and post it in the hopes that others may be inspired to come forward with their own early writing efforts. The more glib, awkward, juvenile, or ridiculous, the better!

Mrs. Mason's Animalizer

One day George stormed into his parents' bedroom. "I've decided I want to become an animal," he told them.

Mrs. and Mrs. Small were performing the experiment again. His father detached the nozzle, pulled off his safety goggles, and looked at his son with rare curiosity. "Interesting. You'll need an Animalizer."

Mrs. Small popped her cherubic face out of the hatch and said, "Old Mrs. Mason down the street has one."

So the three of them marched down to Mrs. Mason's house.

"Yes, but which animal?" inquired Mrs. Mason. "It's important."

George hadn't spent much time thinking about this part. He scratched his head. "Oh, I don't care," he said finally. "A moose maybe. Or a cricket."

Mrs. Small spoke up. "Are crickets animals?"

Mr. Small cleared his throat and announced firmly: "They are insects."

Old Mrs. Mason led them along a long dark narrow hallway. George noticed a peculiar odor.

"If you notice a peculiar odor," Mrs. Mason called over her shoulder, "that is my husband's decaying corpse. Five days now. Haven't had a free moment to bury him. Everybody wants the Animalizer these days."

They continued in silence for another few hundred feet. The path seemed to follow no predictable course, but George felt that they were gradually descending into the earth. The air was getting colder.

"How did the old boy go?" asked Mrs. Small.

"Natural causes. Ah, here we are."

Old Mrs. Mason flipped on a light. They were in a large room with green walls. In the middle of the room stood a contraption which resembled a refigerator covered with an intimidating snarl of pipes and wiring. Reverently, Mrs. Mason said, "Behold the Animalizer. Young man, I believe you selected the noble cricket?"

George nodded.

The old woman pulled a lever and adjusted some knobs. The Animalizer began to emit a low electric hum. Then she opened the door. "There isn't much time," said said. "Bid farewell to your parents and step into the machine."

"Is it safe?" inquired Mrs. Small.

"Of course it's safe!" snapped Mr. Small.

George addressed his parents. "Mother, Father, I thank you for taking care of me during my youth. I thank you for nurturing in me those attributes that I have so admired in you: steadfastness, an ardent sense of adventure, and a respect for God and country. I hereby pledge to maintain those high standards in my new life as a cricket."

Mrs. Small burst into tears. Mr. Small gently gripped George's shoulder. "Son," he said gravely, "Godspeed to you!"

"It is time," declared Mrs. Mason.

George stepped into the Animalizer, and Mrs. Mason closed the door. She quickly began working upon the console, snapping circuits closed, manipulating sensitive antennae, and fine tuning slide controls.

Mr. Small was visibly impressed and became extremely excited. His eyes darted over the apparatus, settling at last on a large red knob near his hand. "What does this one do?" he asked, turning the knob sharply to the right.

"Fool!" cried Mrs. Mason, lunging at him. The low hum rose steadily in pitch. Mrs. Small quivered and threw her hands up to cover her face. The noise of the Animalizer grew into a deafening buzz. The machine was wobbling. There was a burning smell. Mr. Small, panicking, spun the red knob frantically in the opposite direction.

Old Mrs. Mason regained herself and hobbled swiftly to the main power switch and threw it. The Animalizer shut down with a whine. The door swung open, and smoke poured out. A gruesome figure emerged. It was a hideous six-foot cricket with George's head fastened atop the black hard shelled insect body. Mrs. Small screamed.

The George-cricket sprang forward, tore off his father's arm, and began to gnaw on it.

"I deserve this, I deserve this," George's father repeated over and over as he died.

Incredibly Evocative Lines


Right now, I have a favorite Hold Steady line I bellow on my way to work every morning -- namely, "she was a really cool kisser and she wasn't all that strict of a Christian" -- I adore this line -- it takes me back to all sorts of events in my life, and whatever weird, scary, or wonderful feelings I was having at the time.

A few nights ago, Lump and I were talking about other great, evocative lines that are in some ways inherently meaningless, but are ultimately so meaningful they almost knock you over. Although I'm sure there are plenty from poetry, as is our wont, we were talking about music and how much we like "I feel like a stray from your cannonball days" by Ryan Adams and "I've got a hurricane in my pocket, but no one will believe me" by Drivin' n Cryin' -- two lines that immediately shoot us back to our late teens/early twenties, when life was scary, brutish, chemically altered, and completely about possibility. "Cannonball days" -- is that not a perfect description of those times?

So, oh sage writers of the Internet, what are some of your favorite lines?

1.31.2007

"Good People" by David Foster Wallace

New Yorker fiction -- February 5, 2007 issue

yellow light
I'm going to try and get back into reviewing stories, and this'n here will be a baby step. I feel like I'm getting rusty -- all I read are novels now. Anyway, this'n here is a baby step because this this'n here isn't much of a story. Nothing happens in the action -- literally nothing. What we get are the thoughts of Lane A. Dean, Jr., a student at a junior college, as he sits with his girlfriend on a park bench. She is pregnant and they have scheduled an abortion. They are devout Christians. They are torn. He has an imaginary conversation with her in his head. He doesn't love her -- or does he?

A certain member of our class was once told dismissively in workshop by Frank Conroy: "That's not a story -- that's a dilemma." Ding ding ding ding ding! This particular dilemma, of course, was covered many years ago in "Hills Like White Elephants." One difference is: Hemingway made it into a story. One thing that helped make that a story was that the woman got to say stuff -- out loud. Her character got to be developed in the action, producing dramatized conflict. Still, the writing here is excellent, as you would expect. DFW gets way, way into his character's head, and the piece can be sucked profitably for that kind of juice, but that's the sole reason this doesn't get a red light.

Is this very short piece an excerpt from a forthcoming novel? Would it be published if the author's name were Delbert Fawcett Walcott? These are questions that sprang to this rusty story-reader's mind.

Prairie Lights cancels reading after threat


Last night, a scheduled "Live From Prairie Lights" reading in Iowa City was canceled because of security threats. The book was Abortion Under Attack: Women on the Challenges Facing Choice, and the reading was to have been done by Krista Jacobs. How much more "pro-life" can you get than threatening the lives of innocent people? Good job, wingnuts.

I've never heard of a reading there being canceled, for any reason. This is depressing.

1.25.2007

I AM PUBLISHED!

So, I'm in my office, waiting for a student, and I google my name on a whim -- and lookee what comes up:

My Audience

It's the third thing down -- no one asked, and only the good Lord (or a sexy barely legal teen) knows where they came across it. I am planning on asking -- but ...

I'm oddly touched. Not even oddly -- I'm seriously touched (as are many of the sexy barely legal teens). I haven't been this happy about my writing since Connie said I was in the Workshop (though my first Workshop with Ethan where Jennifer Haigh had up a really lovely story about adult relationships and I had up a story about clones and the law firm that caters to them was up there too). It looks like they posted the thing simply because the oglers of sexy barely legal teens like it -- or it presents a nice break from touching one's self (which I've always thought of as being the real strength of my stories -- providing breaks from touching one's self -- basically that's what writing does for me). These folks seem to like it for no other reason but that they like it -- not that it's cool, or particularly literary, or even any good (it's pretty freaking clunky, but what are ya gonna do?).

And I think I've found my audience (I'm not even kidding) -- one of the thing that gets me down at times is that I flip through your average lit mag and realize there is no place for me there.

But, this -- this is a possibility ...

So, weird eh?

Weird and wonderful.

Like sexy barely legal teens.

1.13.2007

Contests: American Idol for writers, and finish a Fitzgerald story for McSweeney's

A Simon and Shuster imprint is putting together an American Idol-type contest for writers, with the prize a publishing contract. (I think America's Next Top Model would be a better inspiration, but hey.) And McSweeney's has taken a list of F. Scott Fitzgerald's idea for stories that he never wrote and wants you to write one. (Thanks to traca da broon for finding these.)

1.08.2007

R.E.M., Van Halen inducted into Rock and Roll Hall of Fame


Here is the story. Seems like only yesterday we were all atwitter about Ozzy getting his wings.

Money quote: "... His replacement, Sammy Hagar, was fired in 1996 and returned for an uncomfortable reunion tour in 2004. Bass player Michael Anthony was ousted last year, replaced by Eddie's 15-year-old son, Wolfgang."

In case you're skeptical that a 15-year-old could play bass for Van Halen, have another listen to the bass part for "Running With the Devil."

Grandmaster Flash also got in.

Grandmaster Flash is in the Rock and Roll Hall of Fame. And, if I may anticipate Brando, Geddy Lee isn't.

1.04.2007

Our new governor


From Deval Patrick's inauguration address today (how feakin' cool is this?):

"Our founders came on the Mayflower, the Arabella, and the early clipper ships. But there were other boats, too. There was the Amistad and her cargo of kidnapped Africans, who commandeered the ship to sail home to Africa, but who were seized in Long Island Sound and imprisoned in New Haven.

On this very day 165 years ago, a young man named Kinna, who had been part of that rebellion, sent a letter from prison to our own John Quincy Adams, who had retired from public life at home in Massachusetts.

Kinna pleaded with Adams to help the 36 captives from his ship to earn their freedom. Adams took the case all the way to the United States Supreme Court and won.

As a gesture of thanks and respect, the Africans gave Adams a Bible, called the Mendi Bible, after their tribal homeland.

I took the oath this morning with my hand resting on that same Bible -- and with my resolve strengthened by that same legacy."

My Secret Shames


Lumpy and I have a game when we go on driving trips where we talk about our "Secret Shame Bands" -- basically bands we really like, but are in no way cool (her big winner is Boston, mine is John Cougar Mellencamp -- and I include "Cougar" deliberately). Today, as I was sitting in the Dunkin' Donuts Drive Thru, I popped in a Foo Fighters CD, and, I must say, I was enjoying myself pretty thoroughly. But, as I played drums on my steering wheel, I began to ponder why Foo Fighters aren't "cool," and I came up with a list of 5 bands which I think are really good but are, for one reason or another, not cool at all (or at least as far as I can tell -- they could be cool in some circles -- but I don't see the kids wearing the t-shirts), and not so uncool they come back around the other end to "cool" -- such as Journey, which was name-checked by Dave Eggers (plus, the "nah-nahs" in "Lovin', Touchin', Squeezin'" are undeniable) or Bon Jovi. Here's my 5, what are yours?

Foo Fighters -- Something about them is clearly uncool. The hooks? That they're not Nirvana? Who knows? But "Stacked Actors" off of Nothing Left to Loose is one of the most exciting openings to an album in years (especially when the bass kicks in).

Rush -- Perenially uncool. Led Zeppelin could get away with singing about The Lord of the Rings and vikings, why can't these guys?

The Cult -- In my opinion, producers of two of the best albums of the '80s -- Love and Electric (plastic lobster telephone lyrics and all). And one of the best live shows I've ever seen (possibly because my friend Alison took down Ian Astbury by grabbing his balls in a groupie frenzy while my other friend (officially voted the prettiest girl at my high school) distracted the security guards by smiling and giggling a lot). Plus, I like the fact that their name kept getting shorter for a while, as shown on the new Goth box set, which includes tunes by "The Southern Death Cult," "The Death Cult," and "The Cult." Look for a new album by "Ult." Lumpy and I's final wedding dance song was "Wildflower."

Drivin' and Cryin' -- Great Southern Rock. Saw them on tour with Living Colour, which was a little bit of a weird bill.

Third Eye Blind -- I got the Greatest Hits package about a month ago, and the first seven songs are perfect power pop. What happened with those dudes? Was it the Curse of Winona Ryder (whereby the actress's romantic interest in your band leads to it beginning to suck mightily. See, e.g., Soul Asylum, Jamiroquai, and Paul Westerberg)?

1.03.2007

With Our Hooves on the Pulse of American Letters


So, the Lump is being profiled in an encyclopedia of notable writers for libraries and what not -- the encyclopedia in question sent her their already researched entry so she can make sure it is correct (besides saying I went to the University of Illinois Writers Workshop and no mention of my sainthood or Allen Ruskin, it's pretty O.K.) -- but, LOOK where they got their info from:

"Writing Fumbling proved to be an essential part of Egan's grieving process. In an online interview for Earth Goat, Egan commented that writing "was a necessary part of my grieving, as necessary as the pilgrimage was.""

Pretty nifty, eh Grendel? One day, perhaps I too will merit an interview from the "Grand Inquisitorial Evelyn Waugh of the Literary Blogosphere" and stop having to interview myself.

And, another weird thing, I'm on a professional listserv for legal writing, and the posters were having an argument over a posting referencing Jesus and praying for the Muslims and what not, and someone posted this:

"The second is to share from a book that I read about a theologian's ruminationswhile on a lengthy pilgrimage in Spain. She told the story of someone she had counselled who had suffered abuse at the hands of a religious authority figure. Expecting that person to be bitter or angry, she found that he had a remarkablegenerosity of spirit. He told her that he believed that in general, everyonedoes the best that he/she can. She observed and he conceded that a person'sbest may not, objectively, be very good. Think about it. If you look at the world as filled with flawed people who are,in general, doing the best that they can, it changes so much. Your students whodon't perform as well as you would like, your colleagues who annoy you, the check-out person at the grocery who doesn't know your celeriac from your rutabaga--they're all doing the best that they can with the talents and abilityand decision-making skill they have in that moment. Wouldn't you appreciate itif the rest of the world thought that about you?"

Basically, I thought it was a neat coincidence, and as much as I would like to get on the listserv and post the name and title of the book (with an Amazon link), I thought that would be pretty tacky.

So, I thought I'd put it up on Earthgoat to get the weird sense of a ours being a very small world out of my system.

And to make me feel like writing is still important in our Internet and television age.

12.23.2006

Best Books of the Year?

In the spirit of writing about the best books of the year, let's write about the best books of the year! But first, let's be venomous and write about the not-best!

2006 Most Overrated: The Road, by Cormac McCarthy
Non-2006 (but read in 2006) Most Overrated: The Sportswriter, by Richard Ford

Now that that that that unpleasantness is done with, onto the fun! I read too few 2006 books, but recently raced through

2006 Winner: Richard Powers's The Echo Maker

completed just after finishing my first experience of RP's work, Galatea 2.d'oh!, unlike which The Echo Maker is good! I recommend it (it being TEM!)! Didn't like the ending of The Echo Maker very much, which was disappointing since the ending is more or less the point of four hundred pages, but those first 350 are easily awesome enough to nudge Mr. Powers ahead of the rest of the field. Carrot to Mr. Powers!

I also read this year, very tardily, the surprisingly excellent and much more enthusiastically recommended!!!!

Non-2006 Winner: Bright Lights, Big City, by Jay McInerney

Happy Reading! :)))))))))

12.21.2006

Dance of the Sugar Plum Fairy

We were going to do another Christmas album, then thought maybe an EP would be good enough, but in the end we managed only a single. But whatta single, ladies and gentlemen!

Dance of the Sugar Plum Fairy - WMA

Dance of the Sugar Plum Fairy - MP3

Hammered dulcimer, $39 keyboard: traca de broon - Toy piano, accordion: grendel
Relive last year's extravaganza

12.20.2006

INLAND EMPIRE




Mr. Lynch says the title is in all capitals, and who am I to argue? Brimming with 5 years of built-up, post-Mulholland Drive anticipation, we drove a total of three hours (Cape to Cambridge) and paid you don't want to know how much to park to see this 3-hour film at a little art house theater with broken seats. You won't be seeing it in your theater at all unless you go to Boston now or can make it to L.A., Austin, Chicago, D.C., Seattle, or San Francisco in January. Otherwise, you will be renting or buying the DVD next summer. Or not.

I say the following as not just an obsessive David Lynch fan. He is probably my favorite living artist in any media or genre. He is Picasso, Kafka, and Mozart rolled into one. He creates universes. Twin Peaks was the greatest drama ever on television. Eraserhead, Blue Velvet, and Mulholland Drive are all in my top ten favorite films. I have seen each of them many, many times. All of his other films are also terrific in my opinion, with the exception of Dune -- but even Dune I basically liked. Beginnning with Blue Velvet in 1986, at the Indiana University Student Union, I have attended the man's films as the faithful go to church: humbly, with holy reverence, a devoted acolyte expecting miracles.

But here is what I thought of my first viewing of INLAND EMPIRE: Irritating, maddeningly confusing, awkward, not enjoyable, nearly humorless, at least a half hour too long, and entirely too focused on Laura Dern's mouth.

The Slate review pretty much nailed it. Rolling Stone and The New York Times were too kind. I will see it again, of course, when I buy it next summer. I don't rule out an opinion turnaround. I have disliked plenty of stuff at first, only to gain appreciation after several exposures. Certain R.E.M. albums come to mind. Huckleberry Finn. Phish. F. Scott Fitzgerald. The White Stripes. The Bible.

Take Mulholland Drive. Sure, it was bewildering on first viewing to keep track of who is Betty and who is Diane and who are those old people and what does the box represent and where is Aunt Ruth anyway, and which parts of the film, if any, are a dream or a delusion. By the end of the film, some of those questions sparkle a bit with hints, and after the second viewing, it makes more sense, and so forth until I feel pretty comfortable when I see it today that I know what is going on. Not all of it, of course. But my feet have purchase. But back on first viewing, I was lost, and yet I enjoyed the film anyway. Each scene was self-contained, like a short short story, and how they all fit together was a project the viewer may or may not tackle. Art can have impact without full understanding. Emotions can be wrung from you and you don't know why or how. At the end of Mulholland Drive, as Traca put it yesterday, one is left with a feeling of profound sadness for Diane -- even if the exact plot and timeline are still muddled in the mind. At the end of INLAND EMPIRE, I was left with a feeling of not-so-profound indifference.

Irritating and maddeningly confusing: I felt that the director was going beyond the beyond. He was not allowing me anywhere to stand. I could not follow the various levels of reality, hallucination, flashback, or "meta-staging" (some of the scenes are from a movie the characters are making) well enough to grasp what was happening on screen. Watching the movie was trying to walk on a Silly Slide greased with Vaseline. I became annoyed with Mr. Lynch for not giving me enough to go on. Maybe I'm too dumb for his films now. Or maybe he's lost that slender but vital connection to narrative arc that, for me anyway, is necessary to enjoy a fictional film.

Awkward, not enjoyable, nearly humorless: The scenes are self-contained, as in Mulholland Drive, but they are not laced with the dark humor that I have come to expect and crave. There is no Cowboy, no impossible-to-please espresso connoiseur, no Michael Anderson's head on a non-little person's body. There is the surrealism of the Rabbits, of course, as seen in the photo above, who appear sometimes and stiffly deliver banal lines in their 50s apartment, to a laugh track. But they're not funny. The laugh track is almost a confirmation that they are not funny. What they may represent is of course part of the project waiting for me next summer, but in the moment, as odd and beautiful as their scenes are, they made me feel: nothing. And really nothing in the film made me feel anything except admiration for the framing, composition, music, etc. But don't you gotta wring emotions from your audience? The film made me understand that I believe you do have to.

At least a half hour too long, and entirely too focused on Laura Dern's mouth: The pacing of the movie is far too leisurely. Lingering on stuff that is not making the audience feel anything is just indulgent. He could easily have cut a half hour and you wouldn't notice the difference, except your rear end wouldn't be hurting so much. And yet he cut too much of the important stuff. Justin Theroux's character, supposedly the male lead, just vanishes about halfway through. He pops back in for one tiny scene, but otherwise, he's gone. Did he die? Was he real? Is he who she shot? Jeremy Irons: totally wasted in his role. Harry Dean Stanton: totally wasted in his role. Grace Zabriskie: totally wasted in her role. In fact, the only character who is developed at all in the film is Nikki Grace, and various other unclear characters, played by Laura Dern. Laura Dern may have a fascinating mouth, but dear God in heaven it's not enough to hang a film on. I found myself trying to orient myself in the story by calculating how much and what color lipstick she was wearing -- this is a sorry plate of crumbs to leave an adoring fan to feed on!

The basic plot had promise, if not exactly originality: The Hollywood remake of an old Polish film, in which the two leads were killed and which was therefore never finished, appears to be similarly cursed. "They found something in the story..." says Irons, who plays the director of the remake. "The two leads died!" The idea of a deadly meme, a gypsy curse embedded in the structure of a film, waiting to be activated every time the film is made, is good enough to hang a movie on, I suppose. But this device is not used well, because the audience should be able to tell what is the original film, what is the personal life of its actors in the original, what is the remake, what is the personal life of Laura Dern, what are the flashbacks of her personal past, what are the flashbacks of her past films, and what is the nightmare hallucination reality. When the viewer, or at least this viewer, can't distinguish among those levels at least minimally, then what's left is a swirling soup of imagery and sound that may be impressive, but is not meaningful.

In short, I believe he went too far. He lost track of the basic requirements of narrative art. He says he didn't even have a finished script when he started shooting this. That's pretty obvious. The "inland empire" must refer, in the end, to Mr. Lynch's subconscious. But the raw subconscious is not art -- it must be processed. I think he finally just filmed -- sorry, digital videoed -- some raw stuff that had been haunting his brain and thought people could make sense of it. Well, we can't. I couldn't. But what I really don't want to consider is that it was me after all, that the breadcrumbs were in fact there on the forest floor the whole time, but I just didn't see them. Which is why I will be buying the DVD.

12.15.2006

Felicity "Fid" Thompson interview

Perhaps at once the most visible and mysterious member of our class, Fid graced us with her humor and irrisistible English accent -- not to mention those compact, poetic stories -- in between gigs in Africa. She was a Citizen of the World, then she was at Iowa, then she was off again to the Heart of Darkness. What's she been up to these past few years? Let's find out.

EG: Where are you exactly and and how did you end up there again? How did you become so interested in Tanzania in the first place?

FT: I am still trying to answer how I ended up here, but the chronology is this: I volunteered for an organisation called Students Partnership Worldwide (SPW) in 2001 and then returned to work for them in 2003 – sandwiching my MFA at Iowa and 9/11 between Tanzania.

Iringa: a regional town in the Southern Highlands of Tanzania. It sits on a promontory like a ship's prow, looking out over the highlands. We are at something like 1600 feet and it is masika (small rains), so every day the sky turns purple and rumbly and lightening flashes over the far hills.

Last month, on the first day of rain, thousands of grashoppers flitted into town like little green fairies. We woke up the next morning, and Experius, wrapped in a towel, toothbrush in mouth, water bottle in hand, was chasing them round the garden and squeezing them into the empty plastic bottle like a madman. All around town groups of children were running to catch them. Everyone – the daladala drivers, the women selling sheets by the side of the road – seemed to have their own water bottles full of Senene. Valentino, our guard, was ecstatic. They are a delicacy – fried up in lots of oil and served with a little salt, a little chilli powder, and mwooah! A tasty snack.

Experius told us later that there is big business in the grasshoppers – people were selling sacks of them in the market for 50,000 shillings ($39). He was disappointed that he didn't get up in the night when they are docile and fly blindly into lights. I found them only irritating – they somehow found their way into the house and would leap out blindly on their massive springy legs. We are still finding tiny green legs everywhere. But when they fly they look like tinkerbells spinning through the air.

I can't figure out why I was so interested in Africa. I grew up in a village in England. Our house was small, mouldy, and damp; my school was posh and catholic. I remember two African girls came one year, the first black kids in the entire school. But I didn't know them; they were princesses from somewhere. My mum had studied Archaeology at Nairobi University and spent some time in the Congo when it was still called Zaire. But even before those stories, there were little bits of Africa in our dingy living room – some wooden masks and thumb pianos. I wonder if they inserted themselves deep in my subconscious?

Course I also grew up with LiveAid and all those starving chilluns on the telly and Bob Geldof. I am a colonial grandchild and we have a soft spot for Africa; I also had a Catholic upbringing and we have a soft spot for guilt. Then G.W. Bush was swept to power for a second time.

EG: What do you do there, for a living, for service to humanity?

FT: Currently I am in between both Serving Humanity and A Living. But luckily I have friends who needed a part time housegirl.

Last month I finished a project that created a radio soap opera that ran for four months on local Tanzanian radio. I wrote the scripts together with three young Tanzanian writers. There was all the intrigue and gossip of Eastenders, but also mixed in with storylines that educate about HIV/AIDS and challenge stereotypes about what it is like to live with HIV.

Do you remember the HIV ad campaigns from the eighties? They took the skull-n-crossbones strike-fear-in-the-heart of anyone who's ever had sex approach. In Africa, people still think of it the same way. HIV is immediate death, to live with HIV is an oxymoron, and if you have it, you must be some sort of slapper. There are some amazing euphemisms (Swahili is a language and culture that "lessens the sharpness of words") for HIV/AIDS:

  • kukanyaga miwaya – to hold onto electricity wires
  • ngoma – drums, drumming (where traditionally there is/was a lot of shagging in the woods)
  • umeme – electricity (as in you've been electrocuted)
  • wamredio – person of the radio (people hear the news about HIV from radio programmes)
  • pembe nne – four corners (the four corners of the coffin)
  • maiti inayotembea – a walking corpse
I know AIDS is old news and probably boring. But it's still bloody there, innit? Anyone who has even a vague interest should read And the Band Played On by Randy Shilts (not a porn star), a brilliant, bible-thick, soap-operatic, scientific epic on the origins of the HIV epidemic.

In February, I will start work on a series of short films about young people in Tanzania with my co-producer, Derek Thorne. Although since the hullabaloo about the film Darwin's Nightmare set around Lake Victoria, it is difficult to film in Tanzania if you are a foreigner.

EG: What are the people like? Are they kind of like Iowans?

FT: Tanzanians are like Iowans in the sense that everywhere in the world you can find Iowans. Although I have yet to see a Tanzanian mullet.

EG: Describe what a typical day is like for you there.

FT: Since the electricity problems, the day depends. With electricity, things are surprisingly similar to home. We have a loo that flushes and a hot shower. I bike to work and get stared at for not being Tanzanian. I'm just so white.

Since the drought, the dam that powered the entire country fell below 76cm, and chaos broke out. Power cuts everywhere, all day long, every day, for months. With no power, there is no point having a fancy flush loo or an electric water heater. You're better off with a long drop
and kerosene stove. You're better off in the village.

For other thoughts, photos, and random shit, you can have a look at me blog.

EG: What was it like making a soap opera in Swahili? How did you come to be involved in that? What was it about? When will we be seeing it on the National Geographic Channel?

FT: It was great fun and ridiculously hard. The Swahili is not the hard part. The hard part is working with a shitty radio station, a production room that is not sound-proofed, actors who've never worked with written scripts, and a very skinny budget.

But it was cool because it was a proposal that I wrote and got funded myself through SPW. The project has a website, if you want to check it; it is in English mostly. Unfortunately, we don't have the bandwidth to upload much audio, but you can listen to the "Theme Tune" (ooo, it's a catchy one) and a snippet of a song by two of the actors. The actors were very talented and creative. I hope to put some more of their work on the web soon.

My favourite episode is when Anna decides to commit suicide after finding out she is HIV positive and her boyfriend tells her he cannot marry her. Sounds morbid, I know, but it was really well done. Moving, even.

EG: What else are you involved with there?

FT: I am involved with the two local radio stations, Country FM and Ebony FM (pronounced "eee-bon"!), making programmes on youth and also about HIV/AIDS. Last week, I produced a mini audio documentary about people's views on adultery. Basically, the idea of 'going outside' of a marriage or relationship is considered morally wrong here, but everyone does it! If men do it, then they are called the Male with Lots of Seeds or, The Man with Responsibilities or simply, Commander. If a woman does it, she is called a whole host of names that have nothing to do with her having lots of eggs or responsibilities, and more to do with her being a floozy. Here are some of the more tasteful ones:

  • bus seat (everyone sits on it)
  • beans from Mbeya (they only take a minute to cook)
  • guest's floormat (anyone can sleep on it)
  • striped polecat (species of small African carnivores allied to the weasels and skunks)
EG: How has your fiction writing gone since leaving the workshop?

FT: It has gone. Disappeared. Or at least it has been quietly brewing on the back burner, sort of smelling good but never quite ready. I've started again, though, so please forgive me. It's difficult to commit to writing and to the world at the same time.

EG: You recently received a proposal of marriage, did you not? Please describe what happened with that.

FT: It is not uncommon or particularly flattering to receive marriage proposals here – generally any man sitting next to you at a bar decides that he is in love with you and wants to marry you. Of course, it helps that you are a mzungu (white). Generally, he is in love with your skin; he wants to marry your skin!

Last week, I was proposed to by our weekend guard's son, Gibson. In fact, I was proposed to by Mussa, our weekend guard, who stuffed a folded square of paper in my hand as I walked through the door. Mussa is slim and dark-skinned; he is submissive to the point of subservience. He double-bolts the front gate as soon as he arrives, even if we haven't got home, even if it isn't dark yet. I have always wondered what he would do if robbers were ever to break in. So when he stopped me on the doorstep, I was surprised by the forwardness of the gesture. I went inside and opened the paper.

The notebook paper was decorated with tiny meticulous crisscrosses in blue and red biro. Mussa was asking me to marry his son. He explained that he didn't want me to take it the wrong way but, in his words, "I think the best way to get connected to wazungu (whites) is to get into their clan." I was somewhat offended; I did take it the wrong way. I have never met Gibson, and he has never met me, and I wonder if Gibson has had any say in this, or if Mussa, who is constantly in debt, has decided I represent all manner of wealth, luxury, and opportunity. Me and my clan of whiteys.

I prefer the barroom proposals – at least you know what you're getting.

EG: Do you have any plans to come back for a visit?

FT: Definitely. Thinking about May 2007, when we are done with the films, my visa runs out, and I am skint!

EG: How long do you think you'll be living in Tanzania?

FT: As I recently made clear to [the plunge]: "i am still in tanzania. not necessarily definitely maybe indefinitely here. fuck i don't know."

12.09.2006

Overheard in Sandwich, Massachusetts library

I am writing on a couch in an area where old people come to read the newspaper for free. One old guy is rubbing his bright white tennis shoes together, like a cricket, producing a steady squeaking. Two other old guys are sitting on another couch, crinkling, crinkling, crinkling their papers. One walks away and comes back and leans in to his friend and whispers, louder than many people talk, "I gotta get in the fucking bathroom! But there's a kid in there. I said how long you gonna be? He said I've only been in here a minute."
"What?"
"He's in there! A kid!"
"On the throne?"
"Yeah!"
"Get him the hell outta there!"
"He won't go!"
"What the hell? His parents gotta be around here somewhere."
"Ah, but they're so fucking stupid, some of them."
"You're right about that."
"I gotta go home now. To my own throne."
"See you tomorrow, Freddie."

12.06.2006

The New Adventures of Allen Ruskin, Servant of Man


Pip followed Allen Ruskin, the former felonious philanderer, as he strode down the Royal Road, joyfully recounting all the good deeds they had done that day.

"We have joyfully done many good deeds today, Pip, it is good to recount them" said the beatific, beaming barrister. "I especially loved to watch the orphans as they suckled happily on the sweetmeats we brought them."

Pip mumbled something unintelligible, and readjusted the pile of empty sacks on his shoulder, which had once held a charitable cornucopia of childish chattels.

"What did you say, my good man Pip?"

"I said I didn't realize you were serious."

"Whatever do you mean?" asked Ruskin, stooping by the side of the road to set a robin's nest to rights.

"Well, you used to be different."

"What are you getting at?"

"We used to tramp through the snow to the orphanage for other reasons."

"Dammit, you blackguard! What do you mean? Spit it out!"

Pip sighed. "Oh, how I miss hearing you say that."

"If you are not careful, I shall spank you."

"I wish."

Ruskin leaned against a stonewall and looked out over the snowy fields. He breathed in the cold and air, which calmed and warmed his new heart, which felt ready to burst with charity and good works, as if it were an angelic tick filling itself with goodness, knowing it will eventually explode and spray blessed blood from its ruptured rear as its tick head keeps dumbly sucking and sucking and sucking more and more goodness until there is an infection of goodness that infects the entire world with the pleasant pus of pulchritude. "Are you unhappy, Pip?" asked Ruskin.

Pip dropped the sacks and wrapped his arms around his belly. "We've been doing this for weeks. When you said we were to become men of God, I thought you meant something different. I thought we might masturbate a monk."

"Well, I didn't."

"Bugger a bishop?"

"No."

"Poke a prioress?"

"No."

"Noodle a nun?"

"No."

"Ream a right reverend?"

"No."

"Penetrate a pope?"

"Good lord, no! Pip, I am beginning to realize something," said Ruskin.

"What?"

"Perhaps it is time we part ways," answered Ruskin, watching the snow that started to gather around them in piles of ice like a mass grave for the uncollected corpses of winter faeries. "Perhaps I am meant to be alone."

**** What's next for the reformed wrecker? Did the tiger really change his proverbial spots?

11.30.2006

Iowa City junket great success, wraps with revived social skills, totaled livers

We were back in the IC this weekend and managed to see a lot of folks, most of them we found to be drinking. Our first time there with no car, we took the Airport Shuttle, which was driven by a small, elderly man who was quite capable of finding the most circuitous, lengthiest routes to familiar places, such as, -- after a few stops east of town having come into town from the west -- the Bostick Guest House, where we were to stay.

Our first appointment was at Trevor and N.'s. Lasagna never tasted so good, though we were so rusty from lack of social exposure, due to living for the last three months out east in a remote, abandoned beach town, that many times our conversation faltered. Unlike TV characters, these people evidently expected something from us, and it was a struggle to oblige them. However, as is always the case with Trevor and N., this dinner turned out to be formative in restoring to us our enfeebled conversation skills, and soon gave way to laughter and banter. After overstaying our welcome, following the stubborn and erroneous line of reason known as "if we keep it up, we might force ourselves to burn all the way through to brilliance," we walked back to town from Court and B Streets, gratefully taking in the fruits of the long Indian summer that we used to fondly call Autumn. Since George's was so close to the guest house, we decided on one nightcap for old time's sake at our old haunt, where three hours whipped by like no time at all.

Next morning we attended a lovely Simhat Bat naming ceremony (our first), for J. and bR's N. R., to whom T. is godmother (not the fairy kind, I was gently informed) in which we celebrated the creative darkness of the womb and implored the little one's future sons and daughters to continue to enjoy vigor and fragrance as they grow old. It was refreshing and inspirational to attend a ceremony where the main point was not to fasten the unwitting child to a well-established racket of tithing and groupthink, but to dedicate her to doing good works and accepting the responsibility of becoming a citizen of the world. Brando and TLB were in attendance, and plans to meet up later for drinks and Takanami were formulated.

Walking back again from the east side, this time in daylight, we encountered Dan Coffey, aka Dr. Science, trudging up our sidewalk, who hailed us and declared that we had had a baby. "No, wait, you bought a house." He mentioned that he was now teaching at a Quaker college somewhere in Iowa, the name of which presently escapes me, and confirmed upon being asked that he did in fact wear the oatmeal mascot's cumbersome attire in the classroom. "And I do a lot of thee-ing and thou-ing," he added.

Reaching the guest house, I collapsed for a nap while T. strutted and prowled the town. She ran into N., who had barely had time to clean the lasagna off her plates before being confronted with her guest again, and when I met T. a little while later, we again were proved to be stalking N., accosting her this time in Prairie Lights, where she showed us the book Monkey Portraits by Jill Greenberg, one of whose subjects, Josh, graces this post with his worried look. Buy the book -- as we did -- but don't spill beer on it -- as we did. Succumbing to our relentless tracking skills, N. accepted an invitation to have a drink at Atlas, which was closed, and then at Martinis, which was closed, and finally at Donnelly's, which was not closed and where we attacked a basket of shelled peanuts and apologized for our faltering conversation of the night before. Trevor was then summoned from his home, where he had no doubt been recovering from the boredom we had visited on their lives, and he joined us for one beer which turned into two which turned into a scramble to make it to Brando and TLB's place by the appointed time.

We met Jones, the new cat, a fluffy orange love-addict, and watched the jealousy of his veteran colleagues play out from behind our wine and beer glasses. Then we walked to Takanami, me in a ludicrous winter coat shlepping through the warm thick air, tortoise-like, with just about everything heavy that I own stuffed into my straining, 99% superfluous backpack. I was drenched in perspiration by the time we sat down, but by now, though, our banter had been sufficiently honed so as to avoid desperately peppering them with questions about the weather or insurance or whether we like people in glasses or not. It was a great delight to see them in such good spirits. We learned that often Brando hears from downstairs, when TLB is winning at online poker, "Eat it, bitches!" and, "Eat it, bitches! Oh, NO!" when she is not winning. Afterward, we walked to a corner near our B&B and parted, but when T. and I returned to our small room, and considered the TV the size of a toaster, we turned around and set out for another nightcap at George's, where we watched the new clock, the only thing that had changed in the whole place, creep toward a shameful time. Then home to "second dinners" consisting solely of Cheetos.

In the morning, which was a Monday, cursed with my usual if-I-just-get-up-and-pretend-it's-okay optimism, I staggered out for coffee and the composition of my projects' status report, due to the publisher on such mornings, leaving T. alone in bed. It was while she was in that place that the knock came on the door, accompanied by a sweet voice asking, "Could I talk to you for a minute?" My love, who imagined having to rise, dress, and deal with this person and decided she'd prefer not to, bellowed out her reply, which was the only sensible one under the circumstances: "No." A note was then pushed primly under the door. The note was to advise us that our credit card had been denied and to request that another might be tendered. A call was soon placed to me at the Java House, where I had been staring, bleary-eyed and in vain, at the work I was supposed to be doing. My darling was requesting that I deal with the situation. I called the inkeeper and managed to splutter that we had canceled that card, and, squinting, read off the numbers of the new one, ignoring my liver's exasperation at the added, unexpected toil.

A lunch at Oasis Falafel, with two of T.'s former coworkers, had been planned, and it seemed like a good idea to pile-drive our bellies with Middle Eastern comfort food, but in fact the lunch merely enhanced and publicly displayed my well-deserved misery. At one point I was asked whether I were feeling okay as I fiercely concentrated on chewing up my gyros sandwich as quickly and carefully as possible. I remember pausing mid-chew and blinking at the interruption, like a bear in the middle of finishing a deer might, having heard a gunshot in the distance. When I saw that I had no more food in front of me, I mumbled my intention of "getting some fries" and unsteadily made my swerving way to the swerving counter. And when I was done with those fries, the dim recollection that I was in fact at lunch with three other people finally pierced the dull armor of my pain, forcing me to explain where I was going as I once again found myself rising, and knocking my chair out of the way, and donning my huge down-filled coat, and that was: back to bed. T., not being a napper, scampered back to town. She called me an hour later, and I told her what I was doing: writhing in the bed, moaning, and sweating. She then came home and we laughed at the Monkey Portraits book until, feeling refreshed enough at last, and just in time, we headed out again for our final public appearance.

Which destination was the Sancturary. There, we were joined by SER and B., Trevor and N., TLB and Brando, Cheeni and Kat, bR and J., and Gillymonster and T-Bone. We took up a series of connected tables so long that it seemed a fire hazard for those trapped on the wall side. We started out all mixed up, but gradually there was a drift into separation according to gender, where the males gathered on one side to discuss wrestling, especially singlets, boxing, other sports, music, and eventually politics. Glasses were raised to the Democrats. As for the women, from downtable, as the result of a conversation about That's Rentertainment having moved to relatively tiny digs, in which the question was put about which films might have been jettisoned, and the speculation ran free along the lines of perhaps it was the adult movies that were gone, and that maybe one would prefer to rent those online anyway rather than shuffle around pretending that those are not eye-popping DVD tags clutched so close to one's person, the two sides were brought together again when TLB hurled to Brando a request to know where one obtains porn on the Internet. There was then a sentence begun in pursuit of whether it is better to rent video erotica bricks-and-mortar style or via mouse and keyboard, about how some people, such as a man who had been seen rolling around the old That's Rentertainment a few times, might prefer to not have to venture out for such a necessity, which ran something like, "Now I'm not saying wheelchair-bound people shouldn't masturbate like the rest of us..." A little later T-Bone floated a trial balloon about her secret new idea for a business, the _____ _____, which was celebrated by everyone as ingenious and for which I hope she finds venture capital soon. Amid promises to visit us in Holland, if we ever get there, and if you have a friend in a position of authority in a Dutch bank give me a holler, we said our goodbyes to everyone except Brando, who had suggested the Dublin Underground as a nice place to meet up with MSF, whom TLB had hustled off to pick up at the airport.

At the "Dub," Brando and I loaded up the jukebox and enjoyed along with T. the surprising and welcome addition of Smithwick's to the tap collection. By now, oiled by enough ale, the stories were coming fast and furious. Brando told us of a time when TLB asked him to go upstairs because his brother wanted to show him something. Appearing in the guest room, Brando's brother, having pulled down his trousers and underwear and lain prone across the bed, his head pointed away from the door, asked, "Does this look okay?" And we were apprised about how slipping roadkill and live mice into someone's car can be enjoyable to most everyone involved (though not all). MSF was looking HOT, if I may be permitted the honor of saying so, as she unburdened herself of certain events surrounding the acquisition of bridesmaid's dresses, and pertaining to calling Dr. Mulder to come to her place and kill a giant spider but getting instead TLB, who had been babysitting and who went on to apply one of MSF's shoes to the creature several times before it finally expired.

It was Monday night, after all, so things had to come to an end. They and everyone else involved in the tour are to be congratulated on their troopertude and for putting up with our relentless company and chatter. And bR, J., and N. are to be thanked for providing a ride to the airport. N. especially is to be commended for only crying once, and for an extended period, when her glance happened to fall on T., who sat next to her car seat. In short, we wrung about three month's worth of socializing out of three nights. Thanks to everyone who made our return visit so much fun. We hope to make it out one more time before heading out in the other direction to our longer-term destination, where we hope for and expect many visitors, and plan to return your hospitality Dutch-style.

11.29.2006

George Saunders on Borat

I'm really not sure what I think of this. It's the only piece of Saunders' writing that has not made me laugh (unlike Borat). He seems to be taking Baron Cohen to task on the exploitation issue, which is fair enough. But anyone could do that -- when I see me some Saunders, I want me some Saunders.

11.20.2006

Yet More Erotic Adventures of Allen Ruskin, Headmaster of Educational Aid


Allen Ruskin stood at his window, naked, staring out across the college green. His tumescent tubificid truncheon trailed from the tuckshop of his tumorous tuna-tinctured tundra like troublous Triton, tuckered and tromped, tired and twisted from truculent tug-o-war and timorous trousseau troughs. He had a strange feeling in his heart.

"Pip -- I have a strange feeling in my heart."

Pip looked up from the bucket of ice he was sitting in, naked, cooling his conk after another long evening orgy of connubial connection. "What do you mean? You sound strange."

"I know. Something's different this morning."

Baskerville and Cerebus looked up from the buckets of ice they were sitting in, clearly sensing something strange with their master. Cerebus let out a whilting whine of woeful worry.

"Perhaps you are getting tired of all this," said Miss Havisham from her bucket.

"I don't know what it is," replied Ruskin, his rapacious eyes rivetted on a pair of riotous rockets and their owner running by his window. The girl looked up and saw his shame. She smiled. He smiled and waved his fingers. The girl stood for a second, clearing waiting for some ravishment to happen (as no good lady would ever walk the path near Ruskin's window without mens rea and an alterior motive that needed no legal degree or translation from the Latin to understand). She glanced at the trees and bushes, tensing for a pounce. She was beautiful, and for a moment, the lecherous lout considered sending Bart out with his net. Just to make her feel good. Her flesh was like smooth butter cream ready to be spread on the sweet sponge cake of his loins. He waved her away and turned from the window.

"I am empty!" roared the repellant Ruskin as if challenging the very Kosmos.

"Wait -- don't be hasty," said Alice, tearing her lips away from Dottie, who was sharing her bucket. The two were feeling a little recovered and had gone ahead and poured champagne in along with the ice. Champagne and ice splashed to the floor.

"You'll ruin the floors," called Bart from the other room. "Professor de Broon has already complained twice about strange fluids leeching through her ceiling."

"I don't understand," said Pip, his eyes quivering as if he were about to burst into delicate tears.

Ruskin pulled on his beard. "I'm not sure we will be deserving of the helper monkeys -- what are we doing to create a new and better world?"

"It's not our problem -- at the moment, I can't even walk," said Miss Havisham tartly, pointedly readjusting some ice.

Ruskin, the dastardly deflowerer, paced nude around his desk. The others watched him quietly.

Finally, he stopped.

"That's it! No More! Bart! Get this filth out of my office!" He walked over to his bookcase and started launching pills and sticks and rods and ropes and cuffs and leather and sketchbooks and pictures and oils and ancient idols and stuffed animals and electrical devices out the window. Out of nowhere, students emerged to grab the toys as soon as they hit the grass.

"What are you doing?" asked Pip with fear.

Ruskin grabbed one of the bodies they'd stolen from the masoleum and tossed it to some medical students. "Be good to her! Now, Pip, you and I, yes, you and I Pip, are becoming men of God!"

*** Has the ribaldry become a reeking relic of rusty rememberance? -- stay tuned!

11.13.2006

El Gordo de Amore Interview, Mark 36

EG: It’s been a long time since we talked.

EGdA: Long time -- a lot of stuff going on.

EG: Like what?

EGdA: Well, the family is out of town for the next two weeks, so I have some time to work on my writing.

EG: You’re still doing that?

EGdA: Yea – kind of – I guess – I …

EG: And what have you been writing?

EGdA: Victorian Era erotica about a guy who teaches in a law school.

EG: Who seems very much like you – with some obvious fictions.

EGdA (laughing): Yea, the necrophilia and what not …

EG: I was talking about women being interested in you. The necrophilia seemed dead on.

EGdA: Oh. (sound that sounds like a duck – tape inaudible for several moments)

EGdA: I would consider that working, although the itching was unbearable.

EG: Hey, a man’s got to do what a man’s got to do. Four years after graduating from Iowa – is this what you thought you would be up to?

EGdA: Probably not.

EG: We did. We had a betting pool. Dunkeys won.

EGdA: Oh.

EG: I thought Kclou was going to pull that one out – I really saw you lying drunk at the bottom of a Taco Bell dumpster.

EGdA: My wife always believed in …

EG: She had you writing press releases for the Bush Administration.

EGdA: Jesus? Really?

EG: I know – I’m sorry I was the one to tell you that. But, you’ve been pretty much sitting in molasses for years now.

EGdA: I had some babies –

EG: So, back to your writing, do you send these little “ero-idiocies” out?

EGdA: I sent two to McSweeney’s – Here’s the emails: “El Gordo:I'm going to pass on this one, but I do appreciate the look. Best, John Warner Website Editor McSweeney’s El Gordo:Not something for us, I'm afraid. Best, John Warner Website Editor
McSweeney’s”

EG: Wow – fame and fortune here you come!

EGdA: I haven’t heard back on the last one I sent.

EG: Don’t hold your breath.

EGdA: You are very mean.

EG: What are you going to do about it, lit boy, try to chop off my dangling modifier?

EGdA: Hey – honestly –

EG: Come on! Put them up! Stop holding them like a girl! I’m about to go all Blood Meridian on your ass!

EGdA: We don’t have to –

EG: Oh yes we do! Traca de Broon! CRY HAVOC AND LET LOOSE THE DOGS OF WAR! (a loud Valkyric scream comes from the kitchen, followed by banging doors and claws clattering on the floor)

EGdA: Ahhhhh!

EG: Feast! FEAST! Feast Grendel and Luka! FEAST! FEAST ON POP BOY AND HIS LITTLE SILLIES! FEAST ON HIS WASTED LIFE! FEAST!

EGdA: AAABBLAGOAGLAAHHKQLAPPAA! (sound of rending and fighting)

EG: But, I have to admit the mahogany desk was pretty good.